Project evaluation

For something done last minute it isn't the worst, but it could have been better if I haven't put it off.

If I've done this on time, I still could have refilmed some scenes that would have made it better and more believable (the scene in the car).

Script wise I have no idea. Am I proud of it? No, but I give myself points for trying. Is it bad? Probably. Is it a complete dissapointment to me? No, because even if it's really bad, it gave me experience that I didn't have before and even though I never want to write another screenplay again I can learn from my mistakes and hopefully when I have to do something like this again - I'll be better at it.

Probably the most important thing I've learned is that I need to figure out a way to manage my time and don't let things pile up. As well as while taking out the kit - grab a light, because even if I end up not needing it, I'll have an option to use it and it would make filming way easier. I regret not taking it because there are a lot of scenes where there's a lot of noise because of the lack of light.

Comments

Influences DOPs and the genre

BEN DAVIS DOP in numerous superhero films, such as Kick-ass, Guardians of the Galaxy, Avengers: Age of Ultron, Doctor Strange, and Captain Marvel. The films I want to focus more on is Kick-ass and Captain Marvel because the audience gets to see how the main characters become superheroes and that is more relevant to our project "The 7 Billionth Hero". In "Kick-ass" all of the superheroes are just people who don't have any special powers. The Protagonist decides to become a superhero and fight crime and starts a new superhero trend. There's a lot of interesting POV shots Mirror POV, when he's practicing what he's gonna say to the bad guys. Phone camera I particularly like this film for lighting. Most of the fight scenes are filmed in low light and there's a contrast between his everyday life and his superhero life. It's bright, warm and slightly yellowish, but at the same time is very monotone to show the boredom a...

Studio Idea

Personally, I found it really difficult to come up with an interesting studio production idea. But because "one idea is not enough" (Brown and Duthie, 2010) I came up with 3 initial ideas: 1) Guess the song type of game show, but instead of guessing pop songs, the contestants would have to guess classical music. I got this idea from a game my friends and I loved to play and the way my music teacher used to test my class. 2) Travel guide about how to make the most of your trip, places worth visiting and places that are overrated and not worth your time. I got this idea from my sister who travels a lot and from the way she does loads of research about each and every place she visits. 3) Debate/Game show where 2 groups of people debate about nerdy topics ( whats better Marvel or DC, which Doctor was the best etc.). The idea comes from noticing how much rivalry there is between comic book lovers and overall 'nerds'. I feel like this idea is the stronge...

Studio Production and Camera Research

(2016, London) "The camera operators frame the shots and operate the camera, panning, tilting and zooming as instructed by the director vis talkback." p. 51 Camera operators get camera scripts or camera cards as to know what shot their camera needs to be on. p.58 If you see words ' as directed ' it means that the camera OP has to follow the conversation of a guest or contributor. 'on the fly' means that the camera OP will need to use their own initiative in framing shots and listen carefully to the director's instructions via talkback. p.58 Shot sizes: *WS= wide shot; *MS = medium shot; *MCU = medium close-up; *CU= close-up; *ECU = extreme close-up; *2S two shot etc. Camera moves: *Pedestal (ped) up/down = moving the height of the camera up or down; *Dolly in/out = moving with the camera forward or backward; *Truck left/right = moving with the camera to the left or right; *Pick ups = retakes of any additional sequences. On pre-recorded shows ...

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